Ariel’s contributions to Emily Teixeira’s debut EP, “TIME” (2019):

  • alto and soprano saxophones on More Like Water, Transition (Meditation) and The City

  • mastering engineer

Ariel’s contribution to The Loud Brothers’ “Sambakkah” (2019):

  • co-production

  • co-arranging

  • mixing engineer

  • mastering engineer

Ariel’s contributions to BAERD’s 2nd album, “Crete” (2018):

  • alto and soprano saxophones in woodwind section (alongside Joel Gardella and Chris Gemerchak), heard prominently on Just Keep, Out of The, Need a Ship, If All Goes As Planned and Crete

  • arranging for woodwind section on Just Keep, Need a Ship and Crete

  • co-arranging for woodwind section on Out of The and If All Goes As Planned

Ariel’s contributions to Lucas Fonseca’s single, “Colloquium” (2018):

  • soprano saxophone

Ariel’s contributions to The New Triumph’s 2nd album, “Keep on Push’n” (2017):

  • alto and soprano saxophones

Ariel’s contributions to BAERD’s 1st album, “Progress” (2016):

  • arranged background vocals on Generosity, Happiness

  • arranged for woodwind section on Uncertain Refrain, Something Else

  • soprano saxophone on Generosity, Safer Apathy

  • alto and soprano saxophones on Uncertain Refrain, Something Else

  • background vocals on Happiness, Progress

Ariel’s contributions to Troy Osaki’s album of poetry, “Susumu” (2014):

  • composer

  • conducted The Tide, Sun/Son

  • piano on Morning Service, Legacy

Ariel’s contributions to various releases of Big World Breaks (2011-2014)

  • alto saxophone